(Theatrical viewing="*"; Repeat viewing="/ /"; Shorts [shorter, em, than 45 mins]="sXX"; past first hundred shorts: t, signifying one in the hundreds digit)

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001. (02 Jan) Love on Sunday (Ryuichi Hiroki, 2006)* 55
002. (03 Jan) /The Big Lebowski/ (Joel Coen, 1998) 63
003. (08 Jan) La Lectrice (Michel Deville, 1988) 77
004. (09 Jan) There Will Be Blood (Paul Thomas Anderson, 2007)* 41
005. (09 Jan) Bloody Kids (Stephen Frears, 1979) 89
006. (10 Jan) The Reckless Moment (Max Ophuls, 1949) 91
007. (10 Jan) Drive a Crooked Road (Richard Quine, 1954) 87
008. (12 Jan) The Custodian (Rodrigo Moreno, 2006)* 57
009. (16 Jan) The Road to Glory (Howard Hawks, 1936) 95
010. (17 Jan) Blowing Wild (Hugo Fregonese, 1953) 80
011. (18 Jan) Easy Living (Mitchell Leisen, 1937) 86
012. (19 Jan) The Revolving Doors (Francis Mankiewicz, 1988) 47
013. (20 Jan) History Is Made at Night (Frank Borzage, 1937) 84
s01. (22 Jan) The Perfect Human (Jorgen Leth, 1967) 50
s02. (22 Jan) Theory of Achievement (Hal Hartley, 1991) 83
s03. (22 Jan) /Ambition/ (Hal Hartley, 1991) 93
s04. (25 Jan) The Anthem (Apichatpong Weerasethakul, 2006)* 53
s05. (25 Jan) Windows (Apichatpong Weerasethakul, 1999)* 35
s06. (25 Jan) Malee and the Boy (Apichatpong Weerasethakul, 1999)* 46
s07. (25 Jan) Relentless Fury of the Pounding Waves (Apichatpong Weerasethakul, 1996)* 40
s08. (25 Jan) 0116643225059 (Apichatpong Weerasethakul, 1994)* 32
s09. (25 Jan) Ghost of Asia (Apichatpong Weerasethakul, 2005)* 43
s10. (25 Jan) /Worldly Desires/ (Apichatpong Weerasethakul, 2005)* 51
s11. (25 Jan) Emerald (Apichatpong Weerasethakul, 2007)* 41
014. (26 Jan) Dirigible (Frank Capra, 1931) 74
015. (27 Jan) Paris Awakens (Olivier Assayas, 1991)* 71
016. (04 Feb) Michael Clayton (Tony Gilroy, 2007)* 72
017. (19 Feb) /The Child/ (Jean-Pierre and Luc Dardenne, 2005) 76
018. (20 Feb) The Usual Suspects (Bryan Singer, 1995) 40
019. (21 Feb) Be Kind Rewind (Michel Gondry, 2008)* 49
020. (22 Feb) The Iron Horse (John Ford, 1924) 56
021. (23 Feb) Triple Agent (Eric Rohmer, 2004) 68
022. (27 Feb) The Band's Visit (Eran Kolirin, 2007)* 37
023. (01 Mar) Los Muertos (Lisandro Alonso, 2004) 68
024. (01 Mar) La Moustache (Emmanuelle Mouret, 2005) 59
025. (02 Mar) Four Sheets to the Wind (Sterlin Harjo, 2007) 57
026. (08 Mar) Shall We Kiss? (Emmanuel Mouret, 2007)* 64
027. (08 Mar) All Is Forgiven (Mia Hansen-Love, 2007)* 43
W/O. (08 Mar) Those Who Remain (Anne Le Ny, 2007)*
028. (09 Mar) The Duchess of Langeais (Jacques Rivette, 2007)* 63
029. (11 Mar) The Bells of St. Mary's (Leo McCarey, 1945) 61
030. (13 Mar) Simple Men (Hal Hartley, 1992) 69
s12. (21 Mar) Sadness Beautiful Face (Jean-Paul Civeyrac, 2004) 60
031. (21 Mar) All the Fine Promises (Jean-Paul Civeyrac, 2003) 75
032. (29 Mar) Mary of Scotland (John Ford, 1936) 59
s13. (03 Apr) Les mauvaises frequentations (Jean Eustache, 1963) 67
033. (04 Apr) Chinatown (Roman Polanski, 1974) 77
034. (05 Apr) A Film About a Woman Who... (Yvonne Rainer, 1974) 55
s14. (05 Apr) The Five Minute Films (Mike Leigh, 1975) 70
035. (09 Apr) Leatherheads (George Clooney, 2008) 64
036. (10 Apr) Hush! (Ryosuke Hashiguchi, 2001) 61
037. (10 Apr) Eva (Joseph Losey, 1963) 82
038. (11 Apr) /Eternal Sunshine of the Spotless Mind/ (Michel Gondry, 2004) 70
039. (12 Apr) Almost Peaceful (Michel Deville, 2002) 60
040. (13 Apr) The Big Heat (Fritz Lang, 1953) 73
041. (20 Apr) Surviving Desire (Hal Hartley, 1991) 74
042. (23 Apr) Massacre at Central High (Rene Daalder, 1976) 78
043. (25 Apr) Natural Causes (Alex Cannon, Paul Cannon and Michael Lerman, 2008)* 55
W/O. (26 Apr) August Evening (Chris Eska, 2008)*
044. (26 Apr) Ballast (Lance Hammer, 2008)* 81
045. (01 May) Somers Town (Shane Meadows, 2008)* 62
046. (01 May) Christine (Alan Clarke, 1987) 85
047. (XXXXXX) Sands of Iwo Jima (Allan Dwan, 1949)
048. (XXXXXX) Time Without Pity (Joseph Losey, 1957)
049. (XXXXXX) The River (Tsai Ming-Liang, 1997)
050. (XXXXXX) The Big Sky (Howard Hawks, 1952)
051. (XXXXXX) La Truite (Joseph Losey, 1982)
052. (XXXXXX) Ken Park (Larry Clark, 2002)
053. (XXXXXX) The Chase (Arthur Penn, 1966)
054. (XXXXXX) Men in War (Anthony Mann, 1957)
055. (XXXXXX) Paisan (Roberto Rossellini, 1946)
056. (XXXXXX) Snow Country (Shiro Toyoda, 1957)
057. (XXXXXX) Diary of a Chambermaid (Jean Renoir, 1946)
058. (XXXXXX) Man’s Favorite Sport (Howard Hawks, 1964)
059. (XXXXXX) Hard Labour (Mike Leigh, 1973)
060. (XXXXXX) Grownups (Mike Leigh, 1980)
061. (XXXXXX) /Men in War/ (Anthony Mann, 1957)
062. (XXXXXX) Meantime (Mike Leigh, 1983)
063. (XXXXXX) /Naked/ (Mike Leigh, 1993)
064. (XXXXXX) The Mother and the Whore (Jean Eustache, 1973)
065. (XXXXXX) Ceiling Zero (Howard Hawks, 1935)
066. (XXXXXX) The River (Frank Borzage, 1929)
067. (XXXXXX) The Unbelievable Truth (Hal Hartley, 1990)
068. (XXXXXX) The Duellists (Ridley Scott, 1977)
069. (XXXXXX) The Last Detail (Hal Ashby, 1973)
070. (XXXXXX) Career Girls (Mike Leigh, 1997)
071. (XXXXXX) Kiss of Death (Mike Leigh, 1977)
072. (XXXXXX) Shampoo (Hal Ashby, 1975)
073. (XXXXXX) La Grande Bouffe (Marco Ferreri, 1973)
074. (XXXXXX) Gertrud (Carl Dreyer, 1964)
075. (XXXXXX) Four Days in July (Mike Leigh, 1985)
076. (XXXXXX) Home Sweet Home (Mike Leigh, 1982)
077. (XXXXXX) Secrets and Lies (Mike Leigh, 1996)
078. (XXXXXX) Tobacco Road (John Ford, 1941)
079. (XXXXXX) Rita, Sue, and Bob Too (Alan Clarke, 1986)
080. (XXXXXX) Top Gun (Tony Scott, 1986)
081. (XXXXXX) Ordet (Carl Dreyer, 1955)
082. (XXXXXX) The Sign of the Lion (Eric Rohmer, 1959)
083. (XXXXXX) Le Plaisir (Max Ophuls, 1952)
084. (XXXXXX) Tristana (Luis Bunuel, 1970)
085. (XXXXXX) Humanity and Paper Balloons (Sadao Yamanaka, 1937)
086. (XXXXXX) The Tin Star (Anthony Mann, 1957)
087. (XXXXXX) Wall-E (Andrew Stanton, 2008)*
088. (XXXXXX) The Invisible (David Goyer, 2007)
  • 089. (XXXXXX) Mad Max (George Miller, 1979)
  • 090. (XXXXXX) Last Night (Don McKellar, 1998)
  • 091. (XXXXXX) Life Is Sweet (Mike Leigh, 1990)
  • 092. (XXXXXX) The Naked Spur (Anthony Mann, 1953)
  • 093. (XXXXXX) Gone to Earth (Michael Powell & Emeric Pressburger, 1950)
  • 094. (XXXXXX) Investigation of a Citizen Above Suspicion (Elio Petri, 1970)
  • 095. (XXXXXX) Sunrise (F.W. Murnau, 1927)
  • 096. (XXXXXX) The Last Frontier (Anthony Mann, 1955)
  • 097. (XXXXXX) Winchester ’73 (Anthony Mann, 1950)
  • 098. (XXXXXX) The Fall of the Roman Empire (Anthony Mann, 1964)
  • 099. (XXXXXX) Stereo (David Cronenberg, 1969)
  • 100. (XXXXXX) /A nos amours/ (Maurice Pialat, 1983)
  • 101. (XXXXXX) The Sun (Alexandr Sokurov, 2005)
  • 102. (XXXXXX) The Apple (Samara Makhmalbaf, 1998)
  • 103. (XXXXXX) The Exiles (Kent MacKenzie, 1961)*
  • 104. (XXXXXX) /Cluny Brown/ (Ernst Lubitsch, 1946)
  • 105. (XXXXXX) /Boy/ (Nagisa Oshima, 1969)*
  • 106. (XXXXXX) The Awful Truth (Leo McCarey, 1937)
  • 107. (XXXXXX) A Good Marriage (Eric Rohmer, 1982)
  • 108. (XXXXXX) Of Time and the City (Terence Davies, 2008)*
  • 109. (XXXXXX) /The Man Who Knew Too Much/ (Alfred Hitchcock, 1956)
  • 110. (XXXXXX) 3 Godfathers (John Ford, 1948)
  • 111. (XXXXXX) An Affair to Remember (Leo McCarey, 1957)
  • 112. (XXXXXX) La bete humaine (Jean Renoir, 1938)
  • 113. (XXXXXX) The Book of Life (Hal Hartley, 1998)
  • 114. (XXXXXX) Elena and Her Men (Jean Renoir, 1956) – mixed
  • 115. (XXXXXX) His Secret Life (Ferzan Ozpetek, 2001) – mixed
  • 116. (XXXXXX) … And Life Goes On (Abbas Kiarostami, 1991) – PRO
  • 117. (XXXXXX) French Cancan (Jean Renoir, 1954) – pro
  • 118. (XXXXXX) Going My Way (Leo McCarey, 1944) – pro
  • 119. (XXXXXX) The Royal Family of Broadway (George Cukor and Cyril Gardner, 1930) – PRO
  • 120. (XXXXXX) Good Sam (Leo McCarey, 1948) – PRO
  • 121. (XXXXXX) Acne (Federico Veiroj, 2007) – pro
  • 122. (XXXXXX) Revanche (Gotz Spielmann, 2008) – PRO
  • 123. (XXXXXX) Delta (Kornel Mundruczo, 2008) – con
  • 124. (XXXXXX) It’s Not Me, I Swear! (Philippe Falardeau, 2008) – mixed
  • 125. (XXXXXX) Wendy and Lucy (Kelly Reichardt, 2008) – con
  • 126. (XXXXXX) Me and Orson Welles (Richard Linklater, 2008) – con
  • 127. (XXXXXX) Dernier Maquis (Rabah Ameur-Zaimeche, 2008) – mixed
  • 128. (XXXXXX) Treeless Mountain (So Yong Kim, 2008) – pro
  • 129. (XXXXXX) All Around Us (Ryosuke Hashiguchi, 2008) – pro
  • 130. (XXXXXX) Silence of Lorna (Jean-Pierre and Luc Dardenne, 2008) – PRO
  • 131. (XXXXXX) Daytime Drinking (Noh Young-Seok, 2008) – con
  • 132. (XXXXXX) Hunger (Steve McQueen, 2008) – CON
  • 133. (XXXXXX) Summer Hours (Olivier Assayas, 2008) – con
  • 134. (XXXXXX) When It Was Blue (Jennifer Todd Reeves, 2008) – con
  • 135. (XXXXXX) Tokyo Sonata (Kiyoshi Kurosawa, 2008) – con
  • 136. (XXXXXX) Synecdoche, New York (Charlie Kaufman, 2008) – pro
  • 137. (XXXXXX) Happy-Go-Lucky (Mike Leigh, 2008) – PRO
  • 138. (XXXXXX) A Christmas Tale (Arnaud Desplechin, 2008) – pro
  • 139. (XXXXXX) /Breathless/ (Jean-Luc Godard, 1959) – pro
  • 140. (XXXXXX) /Picnic at Hanging Rock/ (Peter Weir, 1975) – CON
  • 141. (XXXXXX) Now, Voyager (Irving Rapper, 1942) – con
  • 142. (XXXXXX) The Terrorizer (Edward Yang, 1986) – pro
  • 143. (XXXXXX) The Devil’s Playground (Fred Schepisi, 1976) – con
  • 144. (XXXXXX) The Innocents (Jack Clayton, 1961) – con
  • 145. (XXXXXX) /Rebecca/ (Alfred Hitchcock, 1940) – pro
  • 146. (XXXXXX) Deep End (Jerzy Skolimowski, 1971) – PRO
  • 147. (XXXXXX) /The Passenger/ (Michaelangelo Antonioni, 1975) – pro
  • 148. (XXXXXX) Klute (Alan Pakula, 1971) – pro
  • 149. (XXXXXX) /Mad Max/ (George Miller, 1979) – PRO
  • 150. (XXXXXX) /Psycho/ (Alfred Hitchcock, 1960) – pro
  • 151. (XXXXXX) Lola Montes (Max Ophuls, 1955) – PRO
  • 152. (XXXXXX) Night and Day (Hong Sang-soo, 2008) – pro
  • 153. (XXXXXX) Gomorrah (Matteo Garrone, 2008) – pro